IT'S OKAY TO NOT BE OKAY: THEMES AND TAKEAWAYS
Dear Murakami

I had the privilege to meet you 5 years ago when a friend of mine handed me her copy of Norwegian Wood. The spine of the book had folds; the pages showed some tanning, dog-eared. Giving it a shot wouldn’t hurt, I thought to myself.
Weekend came and given the right amount of motivation and curiosity, I started reading it, unaware of the passing time. I forgot to sleep. Thanks to the soda I downed while reading.
Apparently, people read to find answers to their questions but the moment I finished the book, it posed more questions. But in a good way. The pleasure only uncertainty and ambiguity could give.
I had so many queries about your books that baffled me for some time but now I prefer them not answered. Maybe it’s your intention to let us, your readers, come up with our own version. Perhaps our interpretations are also based on our own realities.
Most of my questions are rhetorical. Questions out of awe. Like how could you put into words the innermost thoughts of a person, which is a very complex living creature? The characters were realistic, if not fully. Maybe some of the qualities of your characters are extreme. Okay maybe this varies depending on the network your readers personally know.
But one thing’s for sure: I found myself in almost every character in your books. Maybe it’s how they make their coffee, the way they quaffed their beer, the way they stammer, act dismissive, manage anxieties, muster courage and take risks.
I became Midori, Aomame, Nakata, Fuka-eri, the cats, the toughest 15-year-old Kafka, your nameless protagonists.
Like my friend told me the other day, you “captured her loneliness in a perfect way.” I couldn’t agree more. You made me feel we weren’t alone in our struggles. We felt understood. We became less afraid of judgment. And ultimately, you gave us a way to understand ourselves better and love the traits in us that the world didn’t care to notice.
So I told my friend, well, Murakami is like the best thing we never knew we needed.
On Bernhard Schlink's THE READER
I don't have any intention to narrate the plot summary here. That is Wikipedia's job. I just want my abstract thoughts laid out.
The main character had his dilemmas, which made me ask questions like: Can you possibly choose what to feel towards a person? Is it impossible to love again with the same intensity as you did in the past? Did "the reader" feel regretful when he realized he was not responsive enough when the time demanded it?
Men can be complicated, too, by not showing enough, by not giving or saying enough. When I thought of complexity, I could picture out disorderliness, of many things. After reading this book, I've learned that complexity is not in the excessiveness of things but also in the lack of them. It is not just in the plethora of showing affection but in the dearth of it.
Will definitely reread after a few years.
On Ha Jin's IN THE POND
In the Pond is a satire that tells a story of a fitter, a political activist, an artist, a calligrapher, a family man, and a scholar, all in one, who fights for his rights and refuses to give way to any form of oppression.
In the thick of threatening power turned turmoil, the protagonist allows us to see what it is like to live a life filled with injustice and misery.
Despite the presence of these heavy themes, the author managed to make the story bearable to the readers by adding timely humor.
GREAT FINDS
Song Title: MURAKAMI
Artist: Made in Heights
Some lines that captivated me:
It's just a story though, is it a story though?
I can't tell if it happened 'cause it felt impossible
Don't know whether it was real or dream
Imagination playing tricks on me
Song Title: MURAKAMI
Artist: Jason Reeves
Some lines that captivated me:
I chased that sheep
All the way out to Hokkaido
I couldn't find a thing
Anywhere, and I felt so alone
That I traveled back to Tokyo
To walk those neon streets
Weaving like
That you drew in silence
While your
And Bernstein vinyl played
Listening to every mark they made
These last few days were serene. Just me enjoying the peace and quiet. I feel like I'm on an island but I get to access anything in the mainland if I want to, but most of the time choose not to. Music, coffee, books, some amicable conversations, good food. I could not ask for more.
THOUGHTS ON ANNOTATING BOOKS
I brewed coffee, added some milk to it and I just can't seem to put myself to sleep yet. I still feel full from having some fried sweet potatoes in butter. What a lovely snack after doing the chores.
I want to write my thoughts on annotating books. This year, I stumbled upon an article by Mortimer Adler, titled How to Mark a Book. It is from The Saturday Review of Literature, July 6, 1941. He wrote about annotating books and why we should mark our books to truly own them. Well, of course, that is if the books were purchased by you or they were given as a gift. He also mentioned the 3 types of book owners. I really loved the article and I have shared it with some of my book-lover friends.
I didn't usually write in books. I usually kept them good as new, although I didn't develop the habit of covering them with vinyl, plastic, or paper. But this year, I made a 180-degree change by writing in the books I've read and I felt better by doing so. I made notes on new vocabularies, wrote down my immediate reactions, some sentiments I wanted to share as if talking to the author. I highlighted sentences, underlined funny remarks, circled unusual names and words. Annotating is leaving imprints of you. Writing in books means sharing some pieces of your thoughts and soul.
Normally, I highlight using my Stabilo in pastel green because it's not overwhelming to look at. Green because, duh, it's my favorite color. If I need to make some notes, I use a 0.5 mechanical pencil or 0.3 Pilot G-Tech since it's micro-fine. Notes are usually placed in margins.
I do reread books. I tried rereading one of the books that I made some notes in and I was so happy to see the annotations. They were actually helpful and made things easier for me when it comes to speed and keen comprehension. Felt like reading a journal or diary entry. In my opinion, marking a book can come in handy when you need to do a book review and you want it to be as detailed, as personal, and as comprehensive.
I want to add some pics but they are yet to be taken. Will try to make some updates asap.
Approximately 68 Weeks Ago
Some words we hear are as sharp as a sword.
We get bruised by judgments and worse even wounded.
If we are too weak, we are taken down with a single blow of ridicule.
We call it a BATTLEFIELD,
and it's not even a place.
Then there are times that we don't need to be tough.
It's totally okay to let your guard down.
There isn't a need for a shield because hugs won't hurt,
The warmth you'll feel will not burn you.
And again it's not even a place.
We call it HOME.
PURSUIT
THOUGHTS ON HARUKI MURAKAMI'S KILLING COMMENDATORE
Killing Commendatore didn't leave me with so many questions unlike most of his previous works. Most of my queries were answered and the ending was pretty much like an ending, if that makes sense. It ends positively, happily maybe. It wouldn't leave you saying "What?! What just happened?"
Then the readers get to decide and interpret everything unwritten and concealed.
But this one has a definite ending - not very common of a Murakami book but soothing and relieving.
I like the idea that the main character/ narrator's name is not revealed and there is no need for that so it's okay. Coming up with Idea and Metaphor as characters was creative and successful. Highly impressive.
- The Path of Metaphor
- believing someone/ something actually exits
- Art
- your inner power when alone
On Khaled Hosseini and his books
Fully Booked
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